Ferruccio Tagliavini “Amor ti vieta” Fedora
Posted on 31 March 2010 by Abidoon
Telecast
Tags | Amor, Fedora, Ferruccio, Tagliavini, vieta
Categorized | Fedora
25 Responses to “Ferruccio Tagliavini “Amor ti vieta” Fedora”
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A short, aging fellow plays the passionate lover and thrills his audience. Man, I love opera.
come commentare tale bellezza?! non trovo davvero parole… semplicemente Grazie!
I was lucky enough being older to hear him in recital in Chicago, early 1960′s his farewell he sounded much like this. Beautiful Lyric tenor. His voice had a sweet sound similar in the middle to Gigli. He was wonderful and yes in Una Furtiva aria and the Cherry duet with his sop. wife.
Saw him years ago
Bravissimo
This is why man was given a voice.
He is the very best of all Fritzes from the opera L’amico Fritz of Pietro Mascagni.
The succeeder of Schipa.
Hans NL
Let us love and enjoy the greatness of this man and the wonder of this beautiful aria. We should always respect the wonder of the human voice.
WOW!… now that is a beautiful voice.
Tagliavini: Eine selten schöne Stimme. Jürgen Kesting hat bei seinen vielen und sicher auch guten Recherchen aber sicher eine der schönsten, elegantesten und eindringlichsten Stimmen unserer Zeit vergessen. Tagliavini zeigt auch bei Cavaradossi, dass man diesen auch elegant (ohne “verismo”) singen kann.
This, folks, is what lyric tenors are supposed to sound like. I heard Tagliavini years go, in a large hall, full of people, and he came across perfectly clearly and I could understand every word. Most importantly, it was beautiful.–the kind of singing you could listen to all night long. The audience adored him. Why, oh why, oh why, don’t comtemporary voice teachers and impressarios GET IT?! Sigh………….
ok ladies and gentlemen, it is an OH MY GOD SITUATION. i listened to it 4 consecutive times with the same emotion and amazement. Ferruccio will be always remembered and re-discovered (beleive me). thx oneguin65
My first nd most loved tenor. His recording of Butterfly with Petrella haunted my youth.
que nostalgia de como cantaban los buenos… luego se tienen que leer tonterias del jose cura de turno y otros… maestro tagliavini
Good point perolsen1958, there are no singers like those belcanto masters anymore. I think larger theatres and bigger and louder orchestras could be part of this problem, don´t you think ?
sublime voce ,bravo
Thank you so much!
I have this aria in an LP with Mario Del Monaco. It’s wonderful.
Awesome! Bravo! TY.
Ponselle! Rosa recorded the most beautiful and seamless version of Massenet’s “Elegie” that I have ever heard. What an amazing woman!I am a tenor too- I’m 29 and a tenore di grazia.
You are smart to listen to them. They are indeed that masters, I am a Tenor and I have always listened to the great ones from the past like Gigli, Schipa, Caruso, and Bjorling. There are no singers of this caliber today. They set the standards. Even though she is a soprano you should also listen to Rosa Ponselle. She is the greatest example of a seamless scale.
Secondo me è sempre belcanto quando si applicano le regole esatte!.Quindi anche il repertorio verista(come accadeva nel passato ) può essere cantato ,anzi dovrebbe essere comunque cantato ,secondo i principi belcantistici.
This aria is very beautiful. Tagliavini is my favorite tenor. Thank you for a great video.
I am a young singer… believe me, I worship them. Tagliavini, Schipa, Kraus, Gigli, the masters.
Beatiful interpretation !
By the way, this is verismo, not bel canto.